It was a natural for me because I typically make 10 to 20 paintings at one time. Because there is so much time needed for drying between color layers, an "assembly line" approach has proven efficient:
As you can see by these examples, each piece came out differently from the others. It was a great opportunity for me to experiment with subtle differences in the color layers - and some not so sublte differences:
Marie H was once a kindergarten teacher in the elementary school where I taught art. She taught both of my children.




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